Sunday, December 15, 2013
Kütüphane
Benim için en iyi mekan kütüphanedir. O insanların hayatı için çok faydalıdır. Teknolojiler, eğitimler, fenler ve uygarlık onun mükkemmel fonksiyonundan dolayı hızla gelişiyor. İslamın ortaçağ tarihlerinde, 8 yüzyıldan 13 yüzyıla Abbasiler Dönemi gibi, kütüphanelerde camiiler kadar özeldir.
Bir bilgiyi aramak için ilk
gittiği yer kütüphanedir. Ben bir şehirde ınsanları "Burada kütüphane nerededir?", dedim. Her zaman kütüphanelerde çok mutluyum.
Konya’da dersten sonra,
yurda gitmeden önce, kütüphaneye gidiyorum. Karatay Üniversitesinin
Kütüphanesine gittim. Ama orada kitaplar çok az. Selçuk Üniversitesinin
Kütüphanesinde, Karatay ve Merkez Kütüphanelerindeki kitaplardan daha çok kitap
var. Selçuk Üniversitesinin kütüphanesinde üçüncü katta sosyoloji kitapları çok
var. Üçüncü katta bir oda sosyal bilimler kitapları hakkında. Derse girmez
isem sık sık kütüphaneye uğruyorum. Bende onların üye kartı var. Gençlik
Merkez’inde de kayıt yaptım çünkü orada bir kütüphane var.
Fenomena Pengemis
Suatu hari di akhir bulan Oktober 2013, saya berkunjung ke salah satu situs klasik di Konya, Turkey: Sille, tempat perlintasan orang-orang Romawi ataupun Konstantinopel menuju Jerusalem untuk ibadah. Di tempat ini nyaris segala hal tampak sebagai kemurnian sebuah desa--belum dijamah urbanisasi.
Tuesday, December 10, 2013
Benim Adım Kar
Sunday, December 08, 2013
Sumbu Sejarah Kitab-Kitab Suci
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| Majalah Gatra ed. 7-11 Des 2013 |
Tuesday, December 03, 2013
Bersama Hujan Akhir November
ini hujan akhir november
seperti menutup perayaan
daun-daun kepada tanah
melepas ketiadaan
yang cokelat di tanah ini
adalah wajahku yang kau simpan
pada pucuk-pucuk daun
ada yang gugur setiap musim
selalu tentang rotasi waktu
perjumpaan yang sama
hujan akhir november
meremasnya
jadi bisikan yang jauh
kita sebenarnya telah tiada
selain hanya merayakan nama
dan selalu sama di akhir cerita
ke bukit alaaddin
hujan akhir november
menemuiku, juga mereka
sebagai neo-sisipus
mengemas angin
mengitari bukit
menatap jalan pulang
dalam gerbong tram
dalam rintihan sunyi
di dadanya
balon di tangan anak-anak itu
di sebuah taman kota yang ceria
tiba-tiba meletus. mereka histeris
hujan akhir november
akan segera pulang
untuk badai musim dingin
sebentar lagi.
setelah itu
aku akan bersama badai musim dingin?
seperti menutup perayaan
daun-daun kepada tanah
melepas ketiadaan
yang cokelat di tanah ini
adalah wajahku yang kau simpan
pada pucuk-pucuk daun
ada yang gugur setiap musim
selalu tentang rotasi waktu
perjumpaan yang sama
hujan akhir november
meremasnya
jadi bisikan yang jauh
kita sebenarnya telah tiada
selain hanya merayakan nama
dan selalu sama di akhir cerita
ke bukit alaaddin
hujan akhir november
menemuiku, juga mereka
sebagai neo-sisipus
mengemas angin
mengitari bukit
menatap jalan pulang
dalam gerbong tram
dalam rintihan sunyi
di dadanya
balon di tangan anak-anak itu
di sebuah taman kota yang ceria
tiba-tiba meletus. mereka histeris
hujan akhir november
akan segera pulang
untuk badai musim dingin
sebentar lagi.
setelah itu
aku akan bersama badai musim dingin?
Thursday, November 28, 2013
Türkiye’deki İlk Günüm Hakkında
| benim mükemmel öğretmenım |
20 Eylülde Türkiye’ye İstanbul Atatürk Havaalanına Endonezyalı bir arkadaşımla geldim. Havaalanındayken,
yedi saat transit vardı, ona “Burası bizim rüyamız biz buraya okumak için
geldik,” dedim. Arkadaşım “Bu andan itiberen bir hikayeye başlayalım,” dedi. Birdenbire
onun karizmatik yüzü bana gülümsedi. Bir dakika sonra birlekte güldük. O andan itibaren
İstanbul’da vaktimin boş geçmesini istemiyordum, benim için o şehir çok önemli
cünkü. İstanbul tarihi şehirlerinden biridir o yüzden İstanbul’u çok seviyorum
böylece bu duygularım beni bu sehri dolaşmaya yönlendirdi.
Saturday, November 02, 2013
Touching The Autumn
One
upon a time, in the last year of Madrasah Ibtidaiyah (MI), I found a small
book titled “Taman Sang Nabi” (The Garden of The Prophet), a lyrical
prose by Kahlil Gibran, a magnificent poet from Lebanon. It belonged to
my older brothers—either Hermanto (alm.) or Muhli—in which they bought
at Pondok Pesantren Annuqayah Nirmala. I forgot whose book belonged to because
they were in the same hobby as books collector and also as bookworm and
they entirely affected me in loving books. I must say thanks to them.
I remembered well the book: black cover with pinked-orb picture
just like an earth or maybe like a flower sheath. I don’t know exactly.
That book embraced me with a lot of something strange and difficult to understand at that time. It depicted well a small piece of autumn with marvelous scenery of powerful words as Gibran always did with their outstanding works. I was wrapped with a romantic but abstract and imaginary background: Mushtofa, the prophet seeking the truth in miles-away distance. There, alongside the sojourning path of the protagonist Mushtofa, I recognized autumn with magical touches under Gibran’s hand who beautifully tucked a breath of it; how trees stood still; how leaves fell down into the earth; how winds jolted the leaves and nestled them on the ground; and how Mushtofa (or Gibran himself) felt during his pursuit of somethingness! Yes, I felt those to wonderfully imagine such kind of depiction of autumn, almost in all Gibran's works.
Then, the other masterpieces come into my desk: Orhan Pamuk, William Shakespeare, Robert Frost, William Blake, O Henry, Akutagawa, Najib Mahfouz and other writers like Rainer Maria Rilke and also songs praising the autumn. Of course I will never forget November Rain by Gun 'N Rose. I was impressed with this piece of poem below:
"Now cast your shadow on the sundials,
and loose the winds on the open fields."
(by Rilke ~ Autoumn Day)
Today I feel it deeply here in Anatolia peninsula. I take off my shoes to directly feel how wind touches my foot and unites it into the ground. Yes I admit this all as very romantic season as people always impress of autumn time. But I feel more than just a romantic time embodied by the season. It’s melancholy. Yes romanticism of melancholy!
That book embraced me with a lot of something strange and difficult to understand at that time. It depicted well a small piece of autumn with marvelous scenery of powerful words as Gibran always did with their outstanding works. I was wrapped with a romantic but abstract and imaginary background: Mushtofa, the prophet seeking the truth in miles-away distance. There, alongside the sojourning path of the protagonist Mushtofa, I recognized autumn with magical touches under Gibran’s hand who beautifully tucked a breath of it; how trees stood still; how leaves fell down into the earth; how winds jolted the leaves and nestled them on the ground; and how Mushtofa (or Gibran himself) felt during his pursuit of somethingness! Yes, I felt those to wonderfully imagine such kind of depiction of autumn, almost in all Gibran's works.
Then, the other masterpieces come into my desk: Orhan Pamuk, William Shakespeare, Robert Frost, William Blake, O Henry, Akutagawa, Najib Mahfouz and other writers like Rainer Maria Rilke and also songs praising the autumn. Of course I will never forget November Rain by Gun 'N Rose. I was impressed with this piece of poem below:
"Now cast your shadow on the sundials,
and loose the winds on the open fields."
(by Rilke ~ Autoumn Day)
Today I feel it deeply here in Anatolia peninsula. I take off my shoes to directly feel how wind touches my foot and unites it into the ground. Yes I admit this all as very romantic season as people always impress of autumn time. But I feel more than just a romantic time embodied by the season. It’s melancholy. Yes romanticism of melancholy!








